Nov 23, 2011

Get Your Airline Tickets: 2 Vintage Fashion Auctions

 

We have been to a few of these sales in our time. They are quite the experience, and one I recommend. Getting to see this much quality vintage fashion in one room at one time is exhilarating. Getting to inspect these garments in person and up close is an education in design construction and history. Plus, just being in the room when the bidding is happening is exciting. And for those of us who live and work in areas that don't quite 'get' all this, it's mighty fine just to be in the room with others would do.The racks and shelves are well stocked, or we would be making travel plans in a big way.


I'd be thrilled to just see it all. Much less have the chance to bid. It's a fabulous selection of Vintage fashion, from 18th Century to modern. Here's one of the highlights:

Elizabeth Taylor's Balenciaga couture gold figured cloqué silk sari gown, Autumn-Winter, 1964, labeled and numbered 92934, photo courtesy Kerry Taylor Auctions


A full complement of designers seem to be in attendance! Scaasi, Norell, Trigere, YSL, Chanel , Balenciaga, Courreges, Cardin........But as I am a sucker for a graphic black and white combination: 


An Oscar de la Renta White Silk Evening Gown,
with black ruffle appliques throughout. Labeled: Oscar de la Renta, photo courtesy Leslie Hindman Auctions

Nov 17, 2011

A November Potpourri


We certainly added a lot of new inventory to both Past Perfect Vintage and Past Perfect, the Etsy Division this month. I already featured the Victorian through 1930s pieces here, so now it's time for a potpourri showing.
Can we see a theme here? Let's try. 

 L., Grey 1950 Bernhard Altmann Cashmere Pullover, R. 1950s Striped Wool Suit by Irene

 
L. Morris Moskowitz Purple Silk Evening Purse, R. Saks 5th Ave Black Crepe 1960s Evening Dress
 
 
Two Nina Raynor 1980s Dresses: L. Red Cotton Pique Dress with Black Tassels & 
R. Winter White Wool Coat Dress

I see it. 

It's all fine quality construction with good labels, that were by no means inexpensive in their day. Actually, all were high end ready to wear in cashmere, wool, silk, and a good rayon crepe. With nary a bit o' polyester....  In other words, the kind of quality available in Vintage Fashion for remarkable prices compared to modern clothing of the same caliber.

An by the way - to counter the perception that all vintage clothing is tiny -  the Irene suit and the Nina Raynor dresses are all at least a 40" bust. 

Nov 13, 2011

One for the Vintage Sweater Fans


From an unknown newspaper, we have this ad for Nanette's gift sweaters in cashmere with lace and passementerie.
I'll take two, please.  

Note that both are available in black, but drawn as light colors to show the detail.

 





Nov 10, 2011

Our Latest 1920s and 30s Acquisitions


This month, we were pleased to show so many wonderful pieces from the Victorian through 1930s eras. We featured the early pieces in a previous blog post, so it's time for the 1920s - 1930s to get a bit of the spotlight.  

These dresses are all from one private, discriminating collector with a fine eye for period styles. And this is just the beginning, we will be adding pieces from this collection to the web store for some time to come. Like all the pieces from this acquisition, these garments have lovely details, textures and color. The felt squares on the 1920s chiffon dress are especially unusual.  

 
1920s Soft Aqua Lace and Chiffon Evening Dress & 
1920s Printed Silk Dress in a Deep Cream 

1920s Dusty Rose Chiffon Dress with Multi Color Felt Squares &  Ethereal 1920s Back Lace and Tulle Evening Dress 
1930s Yellow, Black and White Print Chiffon Dress with Lace Detail & 1930s Black Crepe Evening Dress & Jacket Beaded with Studs & Rhinestones

    All currently available at Past Perfect Vintage.com

Nov 7, 2011

It's Monday. Eye Candy of the Galanos Variety is Needed


A friend who knows I like this sort of thing, just brought me these San Francisco Examiner clippings. Both of these are 1957, and feature early work from James Galanos. Some time ago, we handled a red chiffon Galanos dress from this era, and I am delighted to note that it had an identical back treatment to the top illustration. These are both glorious dresses, with bouffant skirts and show the  kind of volume Mr. Galanos used with such assurance.

 I. Magnin ad with informal showing times for the collection and dress price - $395 in 1957. 

Printed Lace Ball Gown by James Galanos from fashion article, 1957 S.F. Examiner, with red and yellow roses and jet trimmed bodice 

Nov 3, 2011

Chez Ninon


When Mrs. Obama wore a Norell dress recently, many current fashion writers latched onto the phrase "forgotten designer Norman Norell". If someone as successful, respected and honored as Norell is considered forgotten, then high end American boutiques of the 20th Century don’t stand a chance of being remembered. And that’s a shame. There really aren’t many custom salons left, although quite a few smaller boutique operations are still open. 

I have had a number of later 1970s and 80s pieces come in from very good ladies boutiques and shops recently. But the most exciting acquisition has been a 1930s Silk Day Dress from Chez Ninon. Today, when remembered at all, this label is noted for being Jacqueline Kennedy’s source for American made copies of French designs. And, sadly, for creating the pink suit, a Chanel copy, she wore when JFK was assassinated. There is more to the story than this. 

Chez Ninon was the creation and 40 year plus domain of Nona McAdoo Park and Sophie Meldrim Shonnard, although they apparently had a silent partner in Alisa Mellon Bruce, according to Bill Cunningham in Bill on Bill. As an exclusive salon, they counted many of the New York social elite as clients. Greater fame came with the First Lady’s business, but they were well known long before for their exquisite line-for-line custom copies of French couture dresses done in the same fabrics, trims and even buttons. These were not rip offs, but approved copies. They started the business in 1928, two well- connected society women who wanted to keep busy. In the 20s, they were located at 500 Madison Ave.   In those early decades, they were " known as the shop for off-the-beaten-track Paris originals"(New York Fashion: the Evolution of American Style) including Babani and Schiaparelli. Jean Schumberger designed for them in the 40s. By 1960, they had moved to Park Ave., in the 480s. Elizabeth Corbett, a former model for the salon, continued the tradition of couture copies when she took over the reins in 1970. By the 1980s, she had moved the salon to the Ritz Towers.  

From the The Milwaukee Journal  of Nov 8, 1971:
“Chez Ninon was owned and run for some 40s years by Mrs. Nona Park and Mrs. Sophie Shonnaud. ... Miss Corbett now 31, explained she made her first buying trip to Europe in 1965 when Mrs. Park had a stroke and Mrs. Shonnard needed some assistance. …..... she [ Corbett] buys a total of about 50 designs and enough original fabric to make 4 copies, plus some additional material she feels will appeal to certain clients. When the collection is ready, it is shown in the salon at an invitation only opening and then every day thereafter at 3 pm".
Elizabeth Corbett retired in 1996, closing Chez Ninon. 
Rare 1930s Silk Twill Print Dress from Chez Ninon
This day dress is from the earlier years. , c 1935 – 37. It’s a really fine raspberry silk twill with a refined pattern of bows in black and white. The edges are finished with a tiny rim of cream silk satin cording. The collar and sleeves are gathered in multiple rows of hand stitching. The piping motif is carried through in the belt as well. The hem is finished in wide scallops, edged in the satin faced and weighted to hang properly. The construction quality is superb. This is a high style dress, well enough regarded by the owner to have a small hole repaired in the finest reweaving I have ever seen. Reweaving this dense and fine a silk twill is extremely difficult. 

Now available at Past Perfect Vintage